Le Rigmarole, Paris | Excellent Italian and Asian Eats in the 11th, A-/B+
On a warm summer night, Le Rigmarole turned out to be a perfect choice for dinner, because Franco-American chef Robert Compagnon’s small plates menu of yakitori, pastas, and tempura was light, bright, fresh and full of flavor. I’d been wanting to get to this place ever since it opened in October 2017, but frequent travel and the long hideouts needed to work on my latest book meant that this took some time. Well, the long wait was more than worth it.
I hugely enjoyed every single one of the nine dishes Bruno and I shared the other night, especially given the fact that our appetites were heat-wilted and balky. In fact, it was almost as though Compagnon had designed a menu that was especially intended to tantalise languid taste buds, since what’s on offer here is comfort food of the highest and most inventive order, and this is why I’ll be eagerly looking forward to eating here again very soon after a much needed summer vacation.
Robert Compagnon became obsessed by cooking with Japanese Bichotan charcoal while working at the famous Yakitori Tori Shin in New York City and decided to return to Paris and open a Yakitori bar of his own. What makes Le Rigmarole very different from the Japanese places that inspired it is that he cooks with superb French produce and is also serious pasta-lover. Also, co-owner Jessica Yang is a very talented pastry chef who formerly worked for Guy Savoy in Paris and at Rebelle and Per Se in New York City, and the delightful Crislaine Medina who runs the front of the house, has helped the owners put together a really excellent wine list, including the lush biodynamic Buteo Gruner Veltliner from Austria that we chose to accompany our meal.
And a quick note here for anyone who might be unfamiliar with Bichotan charcoal. It’s an exceptionally high quality charcoal made from oak and chefs prize it because it burns at a lower temperature than ordinary charcoal for a longer period of time and it doesn’t release any odors, which means that the char on foods cooked over it is strictly the natural flavor of that particular food. This creates a much cleaner finer taste than traditional charcoal.
The menu at Le Rigmarole runs to some twenty small plate dishes meant for sharing, including fish, poultry, meat, vegetables and pastas. You can also order a chef’s tasting menu, but since I’ve become very weary of this gastronomic trope, which is a fixture of young Paris Master Chef type chefs and la bistronomie, or the modern bistro movement, we decided to order a la carte. After all, I know what I feel like eating of a given meal and choice is one of the pleasures of going to a restaurant.
So we chose nine different dishes, and our meal began with a pleasant assortment of pickles–radishes, carrots and turnips, and then a baby red-onion tempura that was one of the best things I’ve eaten all year. I’ll come right out with it–even after over thirty years in Paris, I still have an atavistic love of certain low-brow American comfort foods, like onion rings, for example. I love onion rings, and well, these were onion-ring nirvana–such light tempura batter on quarters of tender sweet baby onions with a sprinkling of salt and red pepper brought on bliss. Next, a perfect chunk of salmon yakitori in a dipping sauce of herbed yogurt with a dribble of olive oil, another excellent dish, because the dominant flavor here was that of the firm and very fresh fish.
It was sort of interesting to try and decipher the logic with which the dishes we’d ordered came out, because there definitely was one, and ultimately it shaded from quieter flavors to more assertive ones and then sometimes back again, like a nice little melody After the frank taste of the salmon, for example, the homemade spaghetti with cockles and sea urchin sauce that followed with luscious and umami rich to make it one of the best pastas I’ve ever eaten in Paris.
Next, a pause–skewers of chicken breast with basil leaves and chopped pickled lemon, a brilliant cameo of a dish where every element retained its gustative integrity but played in a charming little skit of different tastes that winsomely flattered each other–the barnyard succulence of the chicken was gently awakened by the heat dimmed basil and flattered by the lemon. This was a brilliant little miniature.
Roasted round zucchini with charred skin and a half a lobster with spingoli pasta followed, and then curls of pork breast cooked on bamboo skewers yakitori style. All three dishes were excellent, especially the lobster, where the flesh of crustacean from Chausey in the English Channel was just pearled, or cooked enough so that it wasn’t raw but was still incredibly succulent and almost crunchy. Our last dish–pork polpette (meatballs) had great base notes that came from the pig’s liver and was politely feral.
Blissfully well fed, we couldn’t manage dessert this time round, but I’m eager to discover Yang’s talent the next time I come here.
An just FYI, Le Rigmarole is open until August 12, and the closes for the summer holiday from Augsut 13-September 11, during which time the team will travel to Taiwan and Tuscany in search of new inspiration.
10 Rue du Grand Prieuré, 11th Arrondissement, Paris, Tel. (33) 01-71-24-58-44, www.lerigmarole.com Open for dinner only from Wednesday to Sunday. Average a la carte 50 Euros, chef’s tasting menu 49 Euros.